Let’s Celebrate! Rhineland-Palatinate Design Award 2024

Exhibition at the Ehrenbreitstein Fortress Cultural Centre

Celebrate with us 13 fantastic design works and the 30th anniversary of the Rhineland-Palatinate Design Award! From handcrafted masterpieces and hand-drawn illustrations to pioneering digital works - discover fresh talent projects, sophisticated commissioned works and two special prizes with depth.

The exhibition ‘Let's Celebrate! Rhineland-Palatinate Design Award 2024’ can be experienced from the 1st of March 2025 to the 2nd of November 2025.

MANTI MANTI – corporate design and packaging

BEST-OF PROFESSIONALS

Designer
Designstudio Mathilda Mutant, Mainz
Martina Miocevic
mathildamutant.de
IG: @mathildamutant

Company
MANTI MANTI GmbH, Berlin
Philippa Koenig & Susann Hoffmann
mantimanti.de
IG: @mantimanti_de

Project partners
Valeriia Potaichuk
IG: @valestrator

MANTI MANTI is the colourful brand that wishes to transform children’s glasses from stale old medical products into cool, beautiful, sustainable and functional lifestyle products. The brand moves in the underwater world because MANTI MANTI takes its name from the mantis shrimp, the creature with the best eyesight on the planet.

With playful packaging, bright colours, cool illustrations, wrapping paper to colour in, stickers in various shapes and so much more besides … a world has been created that kids not only love, but also lets them wear their glasses with pride.

Jury statement from Julia Kahl

The project unanimously convinced the jury, turning the negative term ‘four-eyes’ into a friend. Bulbous eyes move around when the packaging is opened. There is colouring paper, plus a small MANTIzine, stickers in various shapes, patches, tattoos, try-on boxes with cloudy mirrors and, of course, child-friendly glasses. Bringing children’s glasses to the young customers of tomorrow in such a colourful and humorous way deserves a special award. The playful and imaginative concept fuses functionality with creativity and takes children’s glasses to a new lifestyle level.

Einwurf

DESIGN AWARD TALENTS

Student
Nils Schmitz, Berlin
IG: @nilsson__97

University
Hochschule Trier, Kommunikationsdesign
Tim Romanowsky, Prof. Sarah Weisman
hochschule-trier.de
IG: campus_gestaltung_trier

Project partners 
Greta Klos (camera), Sarah Schotte (sound), Luca Steffen (light), David Wulf (editing and sound)

Football, I love you, until you break my heart.

‘Einwurf’ (or ‘Throw-in’) is a reflection on my connection to football and a criticism of the increasing commercialisation of sport. The first part of my work is a ceramic table football game. The people’s game in an ivory tower symbolises the fragility of modern football. The ‘glossy product’ football is crumbling, scandals are tarnishing its image and players are cracking under the pressure. The second part is the revolt. Shrouded in a denim jacket, I am sparking the revolution. Forty patches railing against commerce and everything that is going wrong.

‘Ultra Anti FC’: Against football, for football.

Jury statement from Simon Hebler

The not-so-beautiful game and the twelfth man have hit rock bottom. Striking modern football right in the heart with a ceramic table football game so brittle that it threatens to shatter when touched and a jacket that looks like a battle cry of the disappointed is certainly interesting. Even if everything lies in ruins afterwards – some may well argue that it was a great game, but only if they don’t actually give a damn about football. Here, however, a real fan asks: Where has the passion gone? Football is about more than commerce – it is our cultural heritage and shared passion. And that is more important than signing Mbappé at Mainz 05, isn’t it?

Matter & Meaning

DESIGN AWARD TALENTS

Student
Stella Klump, Kopenhagen
IG: @stella.klump

University
Hochschule Mainz, Kommunikationsdesign
Prof. Isabel Naegele
kd.hs-mainz.de
IG: @hsm.kommunikationsdesign

The publication ‘Matter & Meaning’ examines the relationships between the textual and the textile. It features a collection of 50 texts from the field of art and design research as well as conceptual design approaches that underline the urgency of a new fashion system. In addition, the book itself becomes a textile. The four parts of the book form the material for four home-made garments, each of which is assigned to a different part of the book. The book is brought into the room in a performative manner before ultimately being restored to the book.

Jury statement from Daniela Spinelli

‘Matter & Meaning’ is a skilful visual interpretation of text and textile as a theme. The layout, type area, choice of materials, processing and finishing have been carefully considered down to the minutest detail and the finished product is first-class. The white book block with roughened, soft edges looks unfinished – like a raw fabric that is yet to be processed. Discreet blind embossing is used for the title, while the colour scheme is reduced to black, complemented by the selective use of silver as a special colour. The resut is a tactile experience. A real collector’s item

Auf links gedreht

DESIGN AWARD TALENTS

Student
Lotte Koksch, Mainz
IG: @lottekoksch / @otto.k.schelk

University
Hochschule Mainz, Kommunikationsdesign
Prof. Nadja Mayer, Prof. Julia Kühne
kd.hs-mainz.de
IG: @hsm.kommunikationsdesign

‘Auf links gedreht’ (which literally translates as ‘twisted to the left’ but actually means ‘turned inside out’) is a project arising from a course that focuses on dealing with mistakes. Since birth, I have had a motor impairment in my left hand, making it very difficult for me to play instruments, for example. Some time ago, however, I drew with my left hand instead of my usual right hand and was delighted by the shaky and uncontrolled results. This inspired me to design a magazine for the course that humorously deals with things that are broken or don’t work. The author ‘Otto K. Schelk’ is an anagram of my name, Lotte Koksch, and the name of my left hand.

Jury statement from Johanna Schwarzer

This project demonstrates how it is possible to develop incredible strengths from supposed weaknesses. It encourages people to challenge traditional expectations and social norms – the constant ‘but that’s just how it’s done’ attitude – and find the courage to strike their own, unconventional paths. Why not turn things inside out? Why not look at the world from a different angle? New paths are not forged by themselves. They take courage, the courage to be different and embrace new perspectives. The first step is often the hardest – daring to do something different from everyone else. Yet it is precisely this step that marks the beginning of something truly magnificent.

Booba Minicamper

DESIGN AWARD PROFESSIONALS

Designer
paul martin, Kaiserslautern
Martin Paul Hoffmann & Thomas Stascha Offenbeck
paulmartin.design
IG: @paulmartin_productstrategists

Client
urbanoid GmbH, Kaiserslautern
Martin Paul Hoffmann & Thomas Stascha Offenbeck
urbanoid.eu
IG: @urbanoid_camping

Booba is the ideal solution for spontaneous travel, offering a high degree of comfort in the smallest of spaces. Thanks to its small external dimensions, low drag coefficient and lightweight design, Booba is the most energy-saving and environmentally friendly trailer ever. The product is specially designed for small cars and electric vehicles. It will fit in any garage, even if a compact car is parked in there. The entire interior volume is above ground, protecting the pitch and its vegetation.

Jury statement from Sebastian Herkner

The Booba Minicamper trailer is a hybrid tent and caravan with compact and stylish looks. Its dimensions and low weight are perfectly suited to electric cars and small cars, making it ideal for city dwellers who like to take spontaneous and flexible trips into the great outdoors. The design incorporates retro elements, yet there is also a perfect and carefully considered approach to its convertibility into a bed or a seating area in the dry. The Booba Minicamper offers more comfort than conventional tents, but deliberately avoids superfluous glamping attributes.

#ScrollNichtWeg

SPECIAL AWARD „DESIGNING DEMOCRACY“

Contractor
KONTRASTFILM GmbH & Co. KG, Mainz
Josefina Dittmer & Jonas Wiechert
kontrastfilm.de
IG: @kontrastfilm_filmproduktion

Client
Ministry for Family, Women, Culture & Integration Rhineland-Palatinate, Mainz
represented by Minister Katharina Binz
mffki.rlp.de
IG: @vielfalt.kultur.rlp

The campaign with the name #ScrollNichtWeg (which translates as ‘Don’t Scroll Away’) launched by the Ministry for Families in Rhineland-Palatinate takes a stand against online hate. It educates people about digital violence, provides information on support services and urges people to show online civil courage. The campaign’s content has been viewed nearly three million times to date, building a community of over 8,000 followers. Whether reels, memes, informative posts or sketches – on Instagram and TikTok (@scrollnichtweg) the message is: #ScrollNichtWeg! Support those affected and join others in making the Internet a little bit safer.

Jury statement from Julia Kahl

The campaign impressively promotes online civil courage and supports those affected by hate on the Internet. It raises awareness among users of the dangers of hate speech, strengthens social cohesion and actively encourages people to take a stand against digital violence. The campaign’s reach shows its relevance, having reached millions of people, especially young users on social media, to inform them about important values such as pluralism and tolerance. At a time when our democracy increasingly needs to be defended online, this project is of paramount importance.

Challenge Roth – the documentary

DESIGN AWARD PROFESSIONALS

Designer
Studio Lucas Hesse, Hamburg
Lucas Hesse
lucas-hesse.de
IG: @hesselucas

Client
Canyon Bicycles, Koblenz
canyon.com
IG: @canyon

For the premiere of Canyon’s documentary about the Challenge Roth triathlon, designer Lucas Hesse devised a dynamic key visual, digital assets, thumbnails, a poster and tickets. The documentary shows what it takes to organize this classic event and sheds light on why it is so important for the participating triathletes. The 25-minute documentary provides a glimpse behind the scenes, reveals the magic that goes into organising the event and introduces the people who make it possible. It also explores the relationships between the spectators, volunteers and athletes who come together at this event.

Jury statement from Daniela Spinelli

The dynamic key visual for the premiere of Canyon’s documentary about the Challenge Roth triathlon is concise, clear and to the point. Accompanied by other elements using the same visual language, the design provides the perfect framework for the essentials. It remains understated, yet by setting a deliberate visual contrast it is also bold, directing the focus onto the events and the emotions, which in turn are given the necessary space. There is nothing left to take away. On point!

Women who shaped design: An interactive editorial

DESIGN AWARD TALENTS

Student
Lavinia Horsmann, Münster
designedbylavinia.de
IG: @designedbylavinia

University
Hochschule Mainz, Kommunikationsdesign
Prof. Florian Jenett, Prof. Philipp Pape
kd.hs-mainz.de
IG: @hsm.kommunikationsdesign


Discrimination against women who pursue careers in design is still noticeable to this day. There have been important female designers dating back as far as the beginning of the 20th century, but their works have never received adequate attention. This project presented major works by three important women who have had a significant influence on the field of design. In terms of the approach to communicating the information, the aim was to address the broadest possible mass of people. To achieve this, a website featuring the scrollytelling format was developed as an interactive editorial.

Jury statement from Peter Post

Women have faced discrimination in the past and still do today. Even in the design industry, which likes to present itself as progressive. Reason enough to complain. Or perhaps to celebrate the women who were responsible for the ‘face’ of the first Mac, the revolution in book design in the 1990s or one of the most widely used fonts in the world, to name but three examples. The interactive editorial does this with real attention to detail, featuring a captivating narrative design that still allows the designers to take centre stage, all embedded in an effortless navigation concept. Those who haven’t already guessed the names of the above-mentioned designers can find them here.

UN/SEEN – innovative women in graphic design 1865–1919 and today

DESIGN AWARD PROFESSIONALS

Contractors
BureauN, Berlin
Stefanie Lockwood, Inga Krumme
bureau-n.de
IG: @bureaun

magma design studio, Karlsruhe
Anna Cairns, Sebastian Tiede
magmadesignstudio.de
IG: @magma_____design_studio

Isabel Naegele, Julia Neller
Mainz

Client
Institut Designlabor Gutenberg / Hochschule Mainz, Mainz
Prof. Dr. Petra Eisele, Prof. Dr. Isabel Naegele, Aliena Guggenberger, Julia Neller
designlabor-gutenberg.de
IG: @designlabor.gutenberg,
@unseen.women.design,
@hsm.kommunikationsdesign,
@hsm.gestaltung

Women lack visibility. This has also been the case in the history of graphic design – to this day. The UN/SEEN research project, funded by the Federal Ministry of Education and Research, aims to close a gap in the German-speaking world by focusing on women in graphic design between 1865 and 1919. The website simultaneously serves as a platform for documenting the project’s progress, a networking forum and an online archive. Among other things, it has now researched and documented 300 female designers from the period preceding the Bauhaus movement and has announced the “Around the World Symposium” in April 2025 with internationally active contemporary typographers.

Jury statement from Sebastian Oschatz

The UN/SEEN project addresses two blind spots in the German-language design discourse: men’s achievements are comprehensively documented, while women’s achievements require intensive research. The period following the Bauhaus movement has been extensively discussed, while there is much less material on the Kunstgewerbe (or ‘Arts and Crafts’) movement. This website presents the first interim results and features the biographies and works of female designers from the years 1865–1919. It has come up with an impressive solution for presenting disparate and sporadic material in a playful yet systematic manner. The word mark becomes the operating concept. Sources and comments provide a full picture.

Mainz leuchtet

SPECIAL AWARD OF THE JURY

Students
Tom Braunschedel, Meike Schalk, Maryna Komisarova, Patrick Wild, Malte Kropp, Luca Mancari, Julian Breuer, Felix Mensching, Florian Johannes Alliger, Jonas Winkler, Janik Damrau, Jan Weidenfeller, Christoph Farwig, Alicia Karatus, Antonio An

University
Hochschule Mainz, Department of Design
Prof. Gregor Ade, Prof. Olaf Hirschberg, Prof. Daniel Seideneder, Prof. Tjark Ihmels, deputy Prof. Pascal Kulcsár, Kristof Korwisi, Jan Glück, Georg Schnorr von Carolsfeld, Mathias Ewald, Norbert Seemayer, Ann-Katrin Vollmers, Henri Aalken, Bastian Bley, Beysa Gül Yüksel, Seweryn Zelazny, Chris Schlaadt, Claudia Artner
hs-mainz.de
IG: @hsm.gestaltung / @hsm.zbm

Project partners
Stadt Mainz
mainz.de
IG: @stadt_mainz

Mainzplus CITYMARKETING
mainzplus.com
IG: @mainzplus_citymarketing

WRS Event-Engineering Veranstaltungstechnik GmbH, Spabrücken
wrs-veranstaltungstechnik.de
IG: @wrs_event

Flo Service GmbH, Mainz
flo-service.de / IG: @floservicegmbh

A concept was developed to fill Mainz city centre with life again following the discontinuation of the fireworks display known as Mainzer Sommerlichter. Designed to be accessible and visually engaging for everyone, a festival of light was organised. Mainz landmarks provided the backdrop for exciting projection mapping shows and interactive installations. The entire show was created by students at Mainz University of Applied Sciences. Around 90,000 visitors filled every corner of Mainz city centre during the three-day festival and were mesmerised by the installations showcased in a peaceful atmosphere.

Jury statement from Sebastian Oschatz

The ‘Mainz leuchtet’ project shows how fantastic it is when the city and the university work together. The inaugural Mainz light festival brought tens of thousands of people together among artistic and creative works. Instantly accessible and visually stunning projection mapping shows, performances and interactive installations brought Mainz city centre to life. The courage and strength to take on such a project – with all its organisational and technical difficulties – in order to provide a platform for young designers was worthy of a special award to us.

Oddly Useful Objects

BEST-OF TALENTS

Student
Theresa Pazek, Dresden
theresapazek-design.de
IG: @tp_ceramic

University
Fachschule Keramik Höhr-Grenzhausen
Thomas Konscholke, Dirk Rothe
Höhr-Grenzhausen
fs-keramik.de
IG: @fachschule_keramik

Project partner
Helge Artikus (photography)

The ‘Oddly Useful Objects’ project explores the aesthetics of order as a tactile and visual experience. Based on the digital trend known as ‘Oddly Satisfying Animations’, Theresa Pazek creates a playful and abstract landscape of objects. The main idea is to create a personal, visual order in contrast to the intangible chaos of the 21st century. They prompt you to discover a non-predefined purpose by yourself, to give a firm place to the things around us in our daily lives and to make the beauty of simplicity visible.

Jury statement from Emilie Grimm

These ‘Oddly Useful Objects’ feature a subtle balance of colours, with surfaces that alternate between matt and glossy porcelain. In view of the challenging nature of the material used, the objects have been produced with impressive precision. The various usage options invite people to get creative and use the objects in different ways.

Jill

DESIGN AWARD TALENTS

Student
Josephine Strobel & Sophie Welter, Mainz
IG: @jill_lattedeluxe

University
Hochschule Mainz, Innenarchitektur
Prof. Bernd Benninghoff
ia.hs-mainz.de
IG: @hsm.innenarchitektur

In the main semester project entitled ‘Latte Deluxe’, research was carried out into the use of roof battens as a starting material for high-quality furniture design. Every roof batten has knots and damage in different places. These are usually considered quality defects and lead to the timber being rejected. Instead of ruling out these rejects, the two designers deliberately worked with them, integrating the natural wood defects into the design and turning the rigid battens into elegant lighting elements. The cuts were made specifically where there was no damage in order to avoid any breaks. These ‘defects’ give each light its individual form. The contrast between the unworked surfaces and precisely planed edges gives the lights a distinctive aesthetic.

Jury statement from Jens Ritter

The ‘Jill’ lighting elements impressively showcase the innovative use of an everyday material that has been creatively reinterpreted. The reshaping of the roof battens into unique light fixtures lends an elegant and aesthetic quality to a seemingly ordinary material. The jury was particularly impressed by the sustainable approach used to deliberately integrate the wood damage into each light to give it its individual shape. The combination of craftsmanship and functionality makes the ‘Jill’ lights outstanding design objects.

Brand refresh – StijlMarkt

DESIGN AWARD PROFESSIONALS

Designer
Mona Wingerter – Freelance Art Director, Wachenheim
monawingerter.de
IG: @hej_mona

Client
Neue Projekt GmbH & Co. KG, Mainz
stijlmarkt.de
IG: @stijl.markt

Project partners
Christian Voigt, Melissa Schulze, Jenny Brenkova, Linda Buchmüller, Alisha Koswig

A flexible, modular design was created for the StijlMarkt, based on the original corporate design. The brand refresh combines existing features with new elements and is accessible to young and old visitors alike. Vibrant, confident colours take centre stage to attract instant interest. The design can be adapted across various platforms, communication channels and advertising media. The idea is that the black-and-white key visual serves as a calming element on the colourful, eye-catching poster. The geometric shapes invite people to discover new figures or forms in them.

Jury statement from Johanna Schwarzer

This project features an incredibly well-conceived design that reveals exceptional attention to detail. Rarely have I seen works designed with so much dedication and precision. Every aspect appears to have been carefully considered, with every little detail contributing to the overall concept and fitting harmoniously into the big picture.

Particularly impressive is the modular concept, which is not only functional, but also really aesthetically pleasing. It is both flexible and adaptable, and, thanks to the perfect design, it can be infinitely expanded without losing any of the clarity or aesthetics. A design with impressive depth and simplicity.

Be the jury!

The expert jury selected the works presented here out of all the 260 design projects submitted. Now it’s your turn. Give your favourite project a red dot and help to decide which work will win the public’s choice award!

Meet the jury

The Design Award jury is made up of experts from various design fields. It assesses the submitted projects on the basis of the following evaluation matrix:

Does the work surprise, touch and inspire? Is the concept innovative, relevant and consistent? Has craftsmanship been used to create an aesthetic and functional work? Have sustainability and accessibility been taken into account in the context of the project?

Projects that are most convincing in terms of their EMOTION, REALISATION and CONCEPT are presented with a Design Award or one of the special awards.

30 years of the Rhineland-Palatinate Design Award!

For three decades, this Design Award has championed outstanding design from Rhineland-Palatinate. The competition gives design professionals, emerging talent and companies a platform and highlights just how diverse design can be as a source of inspiration and innovation in the business world and wider society.

The expert jury presents awards for masterful work in the fields of communication, media and product design. It also presents special themed awards for noteworthy instances of social and creative commitment.

The Design Award is organised by the Designforum Rheinland-Pfalz and presented by the Ministry of Economic Affairs in Rhineland-Palatinate.

Since 1994, more than 3,600 projects have taken part in the Rhineland-Palatinate Design Award – showcasing everything from furniture, technology and ceramics to fashion, jewellery and books, plus corporate design, films and illustrations. Awards are given for groundbreaking design and innovative approaches. Examples include a new material made of pomace (2017, Katharina Hölz), sustainable jewellery made of recycled glass (2011, Adam Stoffel) and a crawler crane featuring an ergonomic concept (2013, Terex Cranes). Unusual developments – such as a mobile henhouse (2021, Tischlerei Sommer), a grape harvester (2011, ERO Gerätebau GmbH) and an artistically crafted guitar (2005, Jens Ritter) – also showcase the diversity of design in Rhineland-Palatinate!

Want to find out more? DESIGNPREIS-RLP.DE